Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome nicknamed the Elder or the

nicknamed the Elder or the Censor (Tusculum 234 -149 BC)

restoration

Orange terracotta oil lamp molded with a floral motif in the center and a wavy frieze on the rim

he graced the cover of Time magazine

not forgetting ethnology and zootechnology

Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome nicknamed the Elder or theHealing what is broken is perhaps, for Christine Aebi Ochsner, the very basis of a creative poetic process. After numerous exhibitions in Switzerland and abroad, and a host of articles devoted to her unique and diverse work, Christine Aebi Ochsner wanted to make her work accessible to a wide audience in the form of a monograph. The richly illustrated work contains contributions from journalists, art historians and writers from very different